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Wednesday, February 11, 2015

I'd Like a Side of Nausea With That, Please: The Killer Next Door


The Killer Next Door
by Alex Marwood

Alex Marwood’s gristly thriller The Killer Next Door holds back no punches when it comes to the grimier, slimier aspects of humanity.  A group of residents in South London rent rooms from “The Landlord,” a portly man who has no qualms about invading personal space.  The residents – Vesta, Hossein, Collette, Cher, Thomas, and Gerard – all have their quirks, of course, but the most interesting have to be Thomas, Collette, and Cher.

Thomas is referred to as “The Lover,” a quiet, pensive man who also happens to be a serial killer.  The pungent odors from his hobby of mummifying the women he “loves” permeate through the old house; the residents dismiss it as odd, but not alarming.  Thomas presents one side to the world: a hard-working, sensitive guy who is eager to help his neighbors.  Inside of his apartment, however, he engages in some rather distasteful habits – let’s just say those habits regularly clog up the drains.  Marwood does not shy away from vivid descriptions of Thomas’s diversions; for instance: “Jecca left the house in a series of carrier bags, flesh falling from bone like a five-hour pot roast…Katrina, her body cavities cleared more studiously, was a steep learning curve.  His incision, down the front of the abdomen the way a pathologist would do it, left the trunk loose and floppy, and her nose was ruined by his clumsy attempts to remove the brain with the crochet hook. The parichistic entry, via a slit in the left-hand side, though it means having to plunge himself arm-deep in viscera, produces a neater, more human-shaped final product” (93).

Collette, also known as Lisa, is on the run from her former boss after she accidentally witnesses a horrifying incident.  Three years and a duffel bag of money later, she stumbles upon 23 Beulah Grove.  Collette only wants to keep a quiet profile and periodically visit her mother in the nursing home; unwittingly, she is drawn into a series of crimes and intrigues far beyond her imagination.

Cher drinks, smokes, and steals; her days pass by in a yellow haze of fear, hunger, and longing.  She is only fifteen years old and is determined not to return to the foster home, even if it means robbing men much larger and stronger than her.  Her heart, though, is pure, and she forms an unlikely friendship with Collette and Vesta.

When a culminating event brings the residents together, they learn more than they bargained for about some of their neighbors.  Marwood is a master at sketching out characters, then filling them in subtly with unique details.  If you can handle a bit of gristle and fat, then definitely dive into this contemporary thriller fiction.

My only qualm is that there is a plethora of British terms throughout the novel – of course, that makes sense since the novel is set in London.  At times it was distracting and frustrating to not know what certain terms meant in context…but that is my own failing, not Marwood’s.

"Well, if Fortune Be a Woman, She's a Good Wench..."


Wench
by Dolen Perkins-Valdez

After weeks of reading mediocre literature, I was about to give up and forego my nightly ritual that I've had since childhood of reading until I go to sleep.  Luckily, I came across Perkins-Valdez's novel, Wench, which had me riveted.

The story involves a group of four female friends, who are slaves, and their vacations to the "free country" up North.  All of the women are involved sexually with their Masters, and the protagonist, Lizzie, is in love with her Master, Drayle.  The women are constantly tempted to run for freedom, especially when they discover free blacks in Dayton, and are befriended by a white Quaker woman.  They experience an extreme of unpleasant situations and adversity; I began to really ache for their heartaches, but the characters seemed to accept most of the situations as normal--which in itself is heartbreaking.

The only thing that I did not understand was the love Lizzie had for Drayle--I really didn't see a love story there, and I assume I am not supposed to.  However, Lizzie seemed more intent on manipulating Drayle for special favors than being in love with him.

Perkins-Valdez uses realistic dialogue and smooth, cadenced narration to create an unforgettable historical fiction novel.

Friday, February 6, 2015

Don't Read This Unless You Want to Bludgeon Yourself


What Has Become Of You
by Jan Elizabeth Watson

I'm writing this review as I recently wrapped up my 9th year as an educator (and currently a middle school librarian).  There were just way too many flimsy plotholes in this book to take it seriously.

The first gaping hole is when the teacher does what she does with Jensen -- ALL of it.  All teachers undergo thorough training and are mandated reporters.  The fact that Vera did not immediately report Jensen's journals are ridiculous.  And then...AND THEN...(spoiler alert)...this idiot woman goes to a hotel room with her student...AND THEN...drinks alcohol with her student.  It gets worse.  She lies to the police, more than once.  I just want to bludgeon Vera with something, anything, because it is incredibly stupid, and then I want to bludgeon myself for even taking the time to read this inane story.

(SPOILER) That Jensen is unhinged is obvious from the very first email she sends to Vera.  So, it was not a psychological thriller for me.  More like an exercise in vapidity.

But hey, the really dumb teacher who is fired can become a librarian, so at least there's that.  I really hated the way librarians were portrayed in this novel, first as suspiciously-uptight (and no librarian would ever go on record and tell a newspaper what a patron checks out, that violates privacy laws--yet another hole), and then as a way for Vera to somehow redeem her idiot self.

OK, I'm done.  Just DONE.

I May Be Missing an Eye, But I See Better Than You -- The Young Elites


The Young Elites 
by Marie Lu

Imagine surviving a plague of fever, only to be marked as an abomination by your countrymen; most survivors possess a strange and unique marking, whether it be a facial coloring, oddly-colored hair, or, in Adelina’s case, a missing eye.  Called malfettos, some are endowed with magical gifts that enable them to control wind, fire, earth, and humans.

All Adelina has wanted is to feel accepted and loved; her father ignores her, her sister cannot save her.  When Adelina escapes an unwanted proposal, she unwittingly becomes part of the Dagger Society, an Elite membership of malfettos bent on using their supernatural abilities to escape the Inquisition’s genocide and place their malfetto leader, Enzo, on the throne of Kenettra.

Adelina struggles with an increasing distrust of Enzo, her fellow Elites, and herself, all while learning how to control her powers of illusion and disillusion. 

Lu seamlessly melds an unforgettable and intoxicating historical fantasy narrative with a strong female protagonist that grapples with an issue experienced by Everyman – acceptance of one’s self.  Brimming with engaging battles, both physical and emotional, and meticulous backdrops, Lu’s new series is a surefire hit with old fans and new alike.   

Wednesday, February 4, 2015

"The Sin Eater's Daughter" a Strong Contribution to YA Fantasy Lit


The Sin Eater's Daughter
by Melinda Salisbury

Gr. 7 and up:  17-year-old Twylla has both a gift and a curse as the embodiment of a goddess on earth: she is worshipped and she can kill men in seconds with the briefest of touches.  Twylla’s mother is a Sin Eater, one who eats symbolic foods of the deceased person’s sins at their gravesite; Twylla is set to pursue this path until the Queen of Lormere took her from her home to become the goddess Daunen Embodied.  Every month Twylla ingests a poisonous substance that reinforces her position as both the goddess’s personification and the kingdom’s executioner, and every month Twylla becomes more isolated.  Her only hope lies with her future marriage to Lormere’s prince, Merek.

Until a new guard joins her service--Lief is different from the others.  He does not shrink away as Twylla draws near; he engages in conversation with her and asks questions.  As Twylla grows closer to both Merek and Lief, she becomes more aware of how truly trapped she is in her role with the Queen – and how much she will have to sacrifice to break free.

Salisbury’s concept is not new – Tahereh Mafi’s Shatter Me and Kristin Cashore’s Graceling both have similar protagonists with tactile killing powers – but her luscious world-building and mythology make The Sin Eater’s Daughter a worthy read.  Twylla is strong and sensible, making Melinda Salisbury’s novel an easy recommendation for middle grade fantasy readers.

A Mystery Wrapped in an Enigma Wrapped in a Riddle -- "The Shogun's Daughter"


The Shogun's Daughter
by Laura Joh Rowland

Listen, I appreciate an ARC as much as any person; a beautifully-appointed hardcover ARC is relatively unseen, so I eagerly cracked open Rowland’s The Shogun’s Daughter.  Some background: I have a B.A. in English literature and I also began my Masters in English Literature with an emphasis on the Japanese short story; I was and still am fascinated with the mystic realism inherent in Japanese literature.

Rowland writes well, in the sense that her syntax flows naturally, her imagery is rich, and she wraps up all of her plots points.  However, this novel of feudal Japan left much to be desired.  It is, essentially, a murder mystery, but given Japan’s loose definition of the word “justice,” many will be frustrated by the so-called “plot twists.”  Also, there really is no “mystery”—it’s quite easy to discover who is responsible for what in this story.

Probably the most frustrating plot line is that of Hirata; everything about the mystic warrior is just so ridiculous and contrived, I found myself eventually skipping over anything having to do with him and his “ghost.”

Pass on this unless you feel like getting yourself frustrated.

“Hate looks like everybody else until it smiles” -- Shatter Me


Shatter Me
by Tahereh Mafi

I just could not stand this overwrought, teenage-angsty, trying-to-hard style of writing.  This is an English 101 fail on Mafi's behalf, as it is utterly distracting from the premise (which is in itself unbelievable...no one can touch Juliette, blah blah blah, her parents despise her, blah blah).  If you can stomach pages of this drivel:

"His eyes pin me in place.  His urgency ignites my bones.  Rivulets of water snake their way down the polished planes of his face and his fingers press me up against the wall.
His lips his lips his lips his lips his lips
My eyes are fighting not to flutter
My legs have won the right to tremble
My skin is scorched everywhere he's not touching me..." then you might like this series.

Otherwise...blech.  It's like reading a badly-written 13-year-old's diary.  Pass, unless you are a teenager full of angst!

It's not all bad -- the warped-eye cover art is aesthetically quite appealing.