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Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Sunday, November 29, 2015

A dark truth: DAMAGE DONE by Amanda Panitch


Damage Done
by Amanda Panitch

Gr 9+
In the vein of We Were Liars and Gone Girl with a YA twist, Panitch delivers a heart-pounding, emotionally-charged novel that proves that not everything is what it seems. Julia Vann faces unmentionable consequences when her twin brother, Ryan, brings a gun to school and kills eleven people in the band room. Ryan, after shooting himself, remains in a coma, and Julia’s family moves to a different city to escape the whispers and outright hatred.

As Julia, now called Lucy, realizes her brother’s psychologist is following her, she must confront buried memories that threaten her daily existence. The slow trickle of reminiscences unveils a dark truth, one that Julia/Lucy wants hidden forever, and one in which she will go to extreme lengths to protect.

VERDICT: The latest in unreliable narrators, Panitch combines heart-twisting realities with good old-fashioned mystery.

Note: I reviewed Damage Done for School Library Journal.

Saturday, March 28, 2015

Get Off At the Next Stop: THE GIRL ON THE TRAIN

The Girl on the Train
by Paula Hawkins

If Ernest Hemingway were a woman and wrote a spin-off of Gone Girl, it would look very much like The Girl on the TrainGone Girl is incredibly crafted to deliver a psychological punch -- TGotT is a mostly flimsy, slapped-together, predictable addition to the unreliable narrator genre.

I want to like Rachel, I really do -- she's pathetic in her earnestness and inability to focus.  She's lost her job, her husband, and any hope of having children.  In order to keep up the charade of going to work, each day she takes the morning train into "work," walks around all day (usually drinking), and then takes the train home after "work."  Every morning the train makes a stop that allows Rachel to gaze into the houses built right next to the track.  One of those houses used to belong to her -- and her ex-husband, with his then-mistress and now-wife.  A few houses down, a seemingly loving couple lay out on the patio, unaware of Rachel's intense gaze.  Rachel names the couple Jess and Jason, and proceeds to imagine their sophisticated, affection life together.

Except, appearances can be deceiving.  Just like Rachel attempts to fool everyone that she is not an alcoholic and still has a job, it is quite easy to see the rifts in “Jess” and “Jason”’s relationship.  Rachel conveniently blacks out quite often, enabling her to forget what she did the day and night before – did she knock on her ex-husband’s door again?  Did she leave drunken voicemail messages again? 


Storylines between Tom (Rachel’s ex-husband), “Jess,” “Jason,” Rachel, and Tom’s new wife all begin to cross paths more often than not.  I could predict the ending relatively early in, leaving me to race through supposedly taut and mysterious scenes in the hopes that something, anything, would surprise me.

Wednesday, February 11, 2015

I'd Like a Side of Nausea With That, Please: The Killer Next Door


The Killer Next Door
by Alex Marwood

Alex Marwood’s gristly thriller The Killer Next Door holds back no punches when it comes to the grimier, slimier aspects of humanity.  A group of residents in South London rent rooms from “The Landlord,” a portly man who has no qualms about invading personal space.  The residents – Vesta, Hossein, Collette, Cher, Thomas, and Gerard – all have their quirks, of course, but the most interesting have to be Thomas, Collette, and Cher.

Thomas is referred to as “The Lover,” a quiet, pensive man who also happens to be a serial killer.  The pungent odors from his hobby of mummifying the women he “loves” permeate through the old house; the residents dismiss it as odd, but not alarming.  Thomas presents one side to the world: a hard-working, sensitive guy who is eager to help his neighbors.  Inside of his apartment, however, he engages in some rather distasteful habits – let’s just say those habits regularly clog up the drains.  Marwood does not shy away from vivid descriptions of Thomas’s diversions; for instance: “Jecca left the house in a series of carrier bags, flesh falling from bone like a five-hour pot roast…Katrina, her body cavities cleared more studiously, was a steep learning curve.  His incision, down the front of the abdomen the way a pathologist would do it, left the trunk loose and floppy, and her nose was ruined by his clumsy attempts to remove the brain with the crochet hook. The parichistic entry, via a slit in the left-hand side, though it means having to plunge himself arm-deep in viscera, produces a neater, more human-shaped final product” (93).

Collette, also known as Lisa, is on the run from her former boss after she accidentally witnesses a horrifying incident.  Three years and a duffel bag of money later, she stumbles upon 23 Beulah Grove.  Collette only wants to keep a quiet profile and periodically visit her mother in the nursing home; unwittingly, she is drawn into a series of crimes and intrigues far beyond her imagination.

Cher drinks, smokes, and steals; her days pass by in a yellow haze of fear, hunger, and longing.  She is only fifteen years old and is determined not to return to the foster home, even if it means robbing men much larger and stronger than her.  Her heart, though, is pure, and she forms an unlikely friendship with Collette and Vesta.

When a culminating event brings the residents together, they learn more than they bargained for about some of their neighbors.  Marwood is a master at sketching out characters, then filling them in subtly with unique details.  If you can handle a bit of gristle and fat, then definitely dive into this contemporary thriller fiction.

My only qualm is that there is a plethora of British terms throughout the novel – of course, that makes sense since the novel is set in London.  At times it was distracting and frustrating to not know what certain terms meant in context…but that is my own failing, not Marwood’s.